By Toni Mitchell, LTN 102 Student
What made Oedipus Rex such a stunning experience was partly its strict adherence to Aristotle’s precepts of the great Greek tragedy. The play was delivered in one sitting, without an intermission, and though the language had been “modernized,” it adhered to Sophocles’ original piece in terms of plot and character. It began “in medias res,” and we watched as Oedipus gradually learned the truth about the murder of (unbeknownst to him) his father, and consequently, the truth about himself. I think it evoked the “catharsis” Aristotle prized; the ending was devastating, with Oedipus on his knees pleading for his daughters while the blood shined from his eyes. Continue reading →