Proceeds from a silent auction in late 2011 to benefit relief efforts in Joplin, Mo. have been donated to the southern Missouri region of the American Red Cross. The silent auction raised $1,129 to support rebuilding efforts in the city after the devastating May 22 tornado. Chris Harmon, the region’s chief emergency services officer, received the donation.

“This donation really speaks to us about the compassion of our community, and in such a unique and creative way.” Harmon says.

Nine art and design faculty members — Iwona Duszek, Roman Duszek, Judith Fowler, Jacek Fraczak, Kevin Hughes, Marcus Howell, Maria Michalczyk, Cedomir Kostovic, and Eric Pervukhin — donated 24 pieces for an auction hosted by the Paw Prints Bookstore in the Plaster Student Union. Bidding began in late November and winning bids were announced at “A Dickensian Christmas,” a special event hosted by the English Society on Dec. 5 with help from the theatre and dance and music departments. The event included period costumes, readings from Charles Dickens’s famous work A Christmas Carol, and musical performances. In promoting the event, English Society students and their faculty co-sponsors, Dr. James S. Baumlin and Dr. Lanette Cadle, also generated publicity for the auction.

“I was proud of the way that our students pitched in,” Baumlin, professor of english, says. “It was truly a college-wide collaboration: students and faculty in music, art and design, theatre and dance, as well as in english gave of their time and talent.”

“I offer humble thanks to my colleagues for their generosity in donating art,” Jacek Fraczak, assistant professor of art and design, says. Visiting Joplin as a photographer, Professor Fraczak “was stunned by the extent of the destruction,” which inspired him to organize the art auction.

“In my native Poland,” Fraczak notes, “we have experienced devastations of war, but never have I seen such a force of nature. The tornado taught me not just the power of nature, but the power of the American spirit in helping and rebuilding.” His photographs of conditions in Joplin after the tornado comprised an entire wall of his exhibition, “Midwest Habitat,” which chronicles the lives of people in the Midwest through the places where they live. Fraczak exhibited “Midwest Habitat” in Poland, including the cities of Warsaw and Bialystok, and also displayed portions of the exhibit at the Capitol Building in Jefferson City. He has revisited Joplin to chronicle the rebuilding efforts.

“My colleague, Professor Fraczak, was one of the first professional photographers allowed in town to record the devastation, and his photographs have been on public display in Jefferson City,” Baumlin says. “Fraczak has since revisited Joplin and is preparing a photographic history of the rebuilding. The Missouri State English Department will continue to collaborate with him in relief efforts, and I hope that we have the chance to publish his Joplin photography in book form.”

With rebuilding efforts continuing, the need for further Joplin relief remains. The University’s Joplin Relief blog contains donation links for organizations actively assisting in relief efforts and lists volunteer and donation opportunities. Several upcoming Bears and Lady Bears basketball games will feature bucket donations for Joplin relief.

Read more about contributions to Joplin relief efforts in the Fall 2011 issue of Expressions.

David Boyd, a member of the American Society of Cinematographers (ASC) and his wife, film producer, actress, and theatre and dance alum Lisa Rhoden Boyd, will visit campus for master class workshops on Thursday, Nov. 3, 2011 and a screening of works on Friday, Nov. 4. All events are free and open to the public, and will be held in the Plaster Student Union theatre. David Boyd’s workshop is from 2:00 to 3:45 p.m. on Thursday, Nov. 3, and Lisa Rhoden Boyd’s workshop is from 4:00 to 5:45 p.m. The Nov. 4 screening and talkback session is from 7:00 to 10:00 p.m. and will consist of two works for which David Boyd has done cinematography: “Two Soldiers,” an award-winning short film, and “The Trial of Jack McCall,” an episode from season one of HBO’s hit series “Deadwood.” (The “Deadwood” episode is rated “TV-MA” for adult language.) After the screening, David and Lisa will participate in a talkback session about making films in and out of Hollywood. 

“Two Soldiers,” which won an Academy Award in 2004 for Best Live Action Short Film, stars Ron Perlman and is based on a story by William Faulkner. When ten-year-old Willie Grier’s older brother enlists in the Army after Pearl Harbor, Willie sets out to track him down, determined to follow his brother and best friend off to war. “Deadwood” ran on HBO from 2004 to 2006 and followed characters living in Deadwood, South Dakota, a crime-ridden mining camp, following the massacre of Custer’s forces. “The Trial of Jack McCall” is episode 5 of the show’s first season. Al Swearengen (Ian McShane) transforms his bar, The Gem, into a courtroom to try a murderer.

David Boyd was nominated for an ASC award in 2004 for his work on “Deadwood.” Other television credits include cinematography, camera, and direction work on “Firefly,” “Without a Trace,” “Friday Night Lights,” “Sons of Anarchy” and “The Walking Dead.” He has also worked on feature films, including “Kit Kittredge: An American Girl” (2008), “12 Rounds” (2009), “Get Low” (2009; Robert Duvall, Sissy Spacek, Bill Murray) and the upcoming feature “Joyful Noise” (2012; Dolly Parton, Queen Latifah).

Lisa Rhoden Boyd is a Springfield native, film producer, actress, and graduate from the University’s theatre and dance department. She has worked extensively with Cuban-American director Leon Ichaso, producing his 2009 film “Paraiso” and serving as associate producer on his 2001 film “Pinero.”

The University Film Series is made possible by a grant from the Office of the Provost and support from the College of Arts and Letters. All students and interested members of the public are encouraged to attend the Thursday workshops and Friday night screening and meet these master filmmakers. You may contact Mark Biggs, department head of media, journalism and film, at (417) 836-5218 or MarkBiggs@missouristate.edu for more information.

“When I found out Laramie was part of the season, I contacted him immediately to see if he would be willing to come,” Sarah Wiggin, associate professor of theatre and dance, says. According to Wiggin, Paris was a great speaker to bring into the community to promote the public affairs mission.

The history behind “The Laramie Project” is what brought Paris to campus. In October 1988 in Laramie, Wyo., Matthew Shepard, a student at the University of Wyoming, became a victim of assault because of his sexual orientation according to “The Laramie Project” Director Stacy Joyce. He was beaten and tied to a fence in a field and wasn’t found until the next day. Shepard died in the hospital a few days later. Paris is a member of the group, the Tectonic Theatre Project, who conducted more than 200 interviews of people in the town. They discovered the breadth of people’s reactions to what happened to Matthew Shepard, which inspired them to write the play.

Open to students and the public, Paris’s conversation was based on these events and his experiences with the crime. He made it clear that his appearance would not be a lecture, but instead an active question and answer forum where he asked the audience questions too.

Paris also facilitated talk-back discussions after each performance of “The Laramie Project” during opening weekend. These talk-backs were similar to the conversation Paris hosted but the talk-backs also involved the cast of the show. Questions posed by audience members were more about the production of the play rather than its history. Approximately one-third of the house audience stayed for each talk-back according to Wiggin.

Part of Paris’s visit included conducting a 15-hour workshop for students about creating moments in theatre. He based his workshop around how the Tectonic Theatre Project builds theatre, by using moments. The three day workshop began with breaking down theatre into its basic elements so they can be isolated and drawn upon. By isolating the different elements, specific responses are born that can create a moment for the audience.

“He inspired a number of students,” Wiggin adds. “He was very honest and blunt about being an actor and the students respected his honesty.”

The cast for Missouri State’s production of “The Laramie Project” was selected last spring, but actors were not assigned specific roles until this fall, according to Joyce. For the 70 total characters in the play, there are only 14 actors to portray all of the roles. The actors spent the summer becoming experts on Laramie, Wyo., researching the history of the play, the town, what the weather was like, the trial and other aspects of the play. Only after completing the research were the roles finally assigned.

“We didn’t want to put on this really serious hat. We wanted to tell the story so everyone is the hero in their story,” Joyce said. “(The actors) are just responsible for telling the character’s story and letting the story speak for itself.”

Paris’s visit was made possible by a public affairs grant through the Office of Public Affairs as well as by the support from the College of Arts and Letters.

“The public affairs grants look to find guests who will serve above and beyond the department,” Wiggin said. “(Paris) could speak to the community at large and showed how theatre could create a dialogue with the community. He fits into the ethical leadership part of the public affairs mission.”

Benefiting the Ozarks Celebration Festival and the Ozarks Studies Program, the benefit concert will take place in the Juanita K. Hammons Hall for the Performing Arts.

Tickets for the concert are $15 for general admission and $25 for Gold-circle (Orchestra Pit) seating. There will be a reception following the concert for patrons with Gold-circle seating. Visit Missouri State Tix or call (417) 836-7678, toll-free at 1-888-476-7849.

The Ozarks Celebration Festival is an entertaining and educational look at the region’s culture and heritage. The University launched the festival in 1998 with the hope that it will foster a sense of place and understanding of place for both natives of the Ozarks and visitors as well. This year’s festival will feature more than 75 traditional artists and craftspeople with three entertainment stages featuring music (which will include traditional, bluegrass, and gospel music), storytelling, traditional dance (including square, jig, contra and clogging), films, historical characters, exhibits, and much more. Many of the finest artists and craftspeople in the region will be on hand to demonstrate and display their creations, offering a number of items for sale.

The Ozarks Studies Program aims to preserve the Ozark heritage, culture, environment and history through sharing a comprehensive knowledge of the people, places, characteristics and dynamics of the Ozarks. The program also seeks to discover new knowledge about the Ozarks and provides access to the knowledge. It is a program with a comprehensive view of the Ozarks through a multi-disciplinary, university wide effort.

In the following paragraphs, students and faculty members involved in the Concert Chorale’s Austria tour share their experiences. Dr. Guy Webb, Chorale director, describes the trip from his point of view first, followed by Dr. Roger Stoner and several Chorale members. We hope you enjoy this look at the Concert Chorale’s 2010 tour.

Dr. Guy Webb: Each time the Concert Chorale tours abroad we think it’s the best tour yet and that the Chorale sings better than ever.  Well, there is no doubt about it this last May as we toured to Austria. Fifty-two singers had the experience of their life, one that they shall never forget! We all agreed it was our best tour experience!

We were pleased to have Dr. Dianne Strickland, the Acting Music Department Head, with us. Dr. Roger Stoner, Associate Dean, led the accompanying Companion Tour that was organized by the College. (In spite of cancellation of their flight out of Kennedy Airport in New York because Heathrow in London was closed for volcanic ash, they courageously managed to re-book space the next day and make it to Salzburg a day late!   Waiting around in an airport can be a great way to get to know each other and they surely did—they never gave up!)

Somehow the Chorale managed to be at the Kansas City airport at 4:30 a.m. on the morning we flew to Atlanta, our first stop, where we had a seven hour wait for our direct flight to Munich, Germany. It was the first air travel experience for a few and first overseas trip for many. Our wonderful tour guide, Willie Flicker, was there to meet us, with Horst, our bus driver—they were both professional in every way. Willie even had euros to change for dollars, since it was Sunday.

The Chorale had two days to tour Salzburg, and it was quite an experience for all. Two of our singers — Erin Hendrick and Bentley Caughlan — became engaged on top of the Fortress in Salzburg, and most of the Chorale were there to sing for them. Our first concert was in Salzburg at the Kajanerkirche to a packed Cathedral. It turned out that all of our concerts on the tour were completely full, often with many standing.

The tour was a balance of touring the major cities and visiting the lake and mountain districts of Austria. Three experiences were a highlight for me:  1) the Hallein Salt Mine with the long slides; 2)checking into the Hotel Bodner in Obervellach, where we stayed for three nights in the mountains—we’ll never forget the beauty of the hotel in the mountain setting; and 3) the Malta High Mountain Road up ten miles to over 10,000 feet that was the thrill of the trip. The hair-pin curves and seven one-way tunnels were a challenge for our two buses, but they were up to it! It was snowing on the top as we approached the recently built Kölnbrein Dam. We also briefly traveled to a leather market in Tarvis, Italy, and to Lake Bled in Slovenia.

The weather? What was to be expected in the mountains:  cool and very few moments of sun. Yet, we did not complain. We were prepared and too busy to notice.

It was scenery like we had never seen! The cameras were busy.

Each of our six concerts was memorable and thrilling for the Chorale. We sang with choirs in Obervellach and Graz, with receptions after the concerts we’ll never forget. At Obervellach we were taken up 6,000 feet to the Himmelbaur Restaurant in a National Park Tram— breathtaking even at night — where we ate and sang with the other choirs until almost midnight! The fireplace felt wonderful, and the joy of singing with the Austrian choirs was very special.

Likewise, in Graz, Austria’s second largest city, where we shared a concert with the CantAnima choir considered to be Austria’s finest. The students in Chorale rose to the occasion for that concert!

For our next concert in St. Viet an der Glan, even Dr. Stoner had to stand; there was little room for all that came to the concert. In Vienna we sang in one of the most beautiful Cathedrals in all Europe:  St. Peterskirche. (When we returned home, we had a message from a couple from Denmark who just happened to walk in while we were singing in Vienna, and they wrote:  “It was the most beautiful musical experience of our life!” It was for us, as well!)

For our last concert we went to Madsen, a small town north of Vienna, for a morning concert after a mass. The simplicity of the town and the reception we received from the people made it an unforgettable experience for us all. And how they fed us after the concert! The Companion tour finally missed this final concert so they could have more time in Vienna, but we felt that concert was one of our best. Each concert was recorded, and soon we will make a compilation of all of our best singing in a compact disc that will be available in early fall.

Dr. Roger Stoner: Being part of the companion tour was a most rewarding experience. I made new life-long friends and, at the same time, was able to observe students in an environment that linked academic experiences with learning and professional artistry. As articulated in the numerous blogs posted by the students, the 2010 Austrian Tour transformed lives. The Tour provided an opportunity for extended conversations about aspirations and dreaming of the future in a country of extraordinary beauty and history — not just incredible musical history; it allowed time to reflect on personal values and artistic accomplishment. The Tour was like a pebble being dropped in the water; the splash is only seen once but the ripple effect of this experience will shape the lives of the participants forever. When I spoke in Vienna during our last meal together, I said something like, “Dr. Webb epitomizes the very highest standards of leadership, integrity and musicianship; Dr. Webb, thank you for this opportunity.”

Some of the students have written what they felt were the highlights of the tour:

Briana Adams: I loved everything about the city of Salzburg. One of the best parts of the Austria trip was standing at the top of the fortress and taking in an amazing view of mountains, city buildings, and small farms.  Salzburg was the perfect city size for me; it wasn’t too big or too small. There was so much to do, from shopping to touring beautiful churches. I really enjoyed eating dinner at an authentic Austrian restaurant called Sternbrau that has been in Salzburg since 1542. It was delicious! I hope to return to Salzburg someday to continue learning and exploring this beautiful city.

Lindsey Adams: The most memorable part of the trip for me was when we first arrived in Obervallach. Sitting on that little hill surrounded by mountains and clouds was unreal, like I was stuck in a photograph. I’ll never forget it.

Bentley Caughlan:  My favorite part of the trip was getting to tour the Fortress of Salzburg and propose to my wonderful, now fiancée, Erin!

Sara Coleman: The highlights of our trip to Austria, to me, were our musical experiences. Austria was amazing, but what really stuck out were the welcoming nature of the audiences and their desire for good music. It is always such an honor to share concerts such as the one with CantAnima. It was one of the best parts of the trip. The music that we made and the venues that we sang in made the trip something special that none of us will ever forget. We finally came together as a complete musical unit, an ensemble and we all experienced the joy of singing like none other. This to me was what the whole trip was about and I was not disappointed at all!

Damon Cooper: Austria was an amazing tour and I loved everything about it. I’m sure everyone will agree that one of the most memorable moments was the wedding proposal and acceptance. It was beautiful and sweet and on top of the gorgeous fortress in Salzburg. The salt mine we visited was actually a pleasant surprise for me, it was awesome in fact. Last but not least, every church we sang in was an incredible evening. Every church produced an amazing sound that just blew me away. Easily one of the greatest experiences of my life. Thank you for allowing me to be a part of this trip.

Bert Dothage: I think some of the biggest highlights of the trip were times when we got to socialize with the other choirs. I feel that the impromptu outdoor concert in Graz is exactly why we take these tours; sharing songs with each other in the relaxed setting under the stars, and spending the rest of the evening together at the pub learning about one another’s cultures was an experience I will always remember.  Also, I think the concert/mass we gave at St. Peter’s was among the best of my collegiate career.  I don’t recall ever singing in a cathedral more beautiful, nor better suited for choral music than St. Peters, and I believe that is high praise considering the many beautiful and sonorous cathedrals where I’ve been privileged enough to sing with chorale these past four years.  Our trip to Austria was an inspiring experience that I will never forget, and I will always cherish the memories I made there with my closest friends, doing that which is closest to my heart–making beautiful music.

Kenny France: The entire trip was a highlight for me. It’s the first time I’ve flown, the first time I’ve been out of the country and an amazing experience overall. Singing in the church at Vienna was our best performance in my opinion but I loved singing and making music in every church we visited. Everthing was so beautiful especially the mountains in Obervellach. Also having the dual concert with CantAnima was a great highlight. Austria was so beautiful and amazing and I miss it so much! If I ever have the chance to go back I will!

Jessica Lanham: After all the journaling, pictures, and discussing the trip with fellow Concert Chorale members, there is still no way that I can recreate or do justice to the experience shared by everyone. Austria was one of the most picturesque countries that I have ever had the pleasure of visiting.  Being in the Alps was absolutely breathtaking and unbelievable! A group favorite was the time we spent at our hotel in Obervellach just taking in the view and enjoying it with friends. The towns seemed to be straight out of a storybook with the cottages, farms, and the stores. The food was amazing, especially the desserts.  The people were so hospitable and willing to help, even though most of us had no idea how to speak German! Above everything else, however, my personal favorite was the way our music reached out to our audiences. Despite our language barriers, the people understood, and it was through the music. I received a random email from a man who was visiting Vienna with his girlfriend over the weekend and happened to hear us.  He explained how he was so completely moved by our performance and was eager to buy a CD when they are avaliable.  The message he sent me is the precise reason why I enjoy making music so much; it is a universal language. I am truly going to miss my time spent with the MSU Concert Chorale, but to have been a part of the group and the music has given me memories that will last forever.

Kyle Major: The first memory I have of Austria is the smell once we stepped out of the airport. The air was so fresh and crisp. The scenery on all of the bus rides was breath-taking. I was amazed at how natural and untouched everything was. That first cathedral experience in Salzberg was a life changing event for me. I had never before sang in such a pure acoustic before. The hotel in Obervellach was another life-changing moment. It was huge! The view was great too. Another great moment was my first taste of Gelato in Italy at the leather market. Ice cream hasn’t tasted the same since! Our true shining moment was the second to last concert. I had goosebumps as I sat out due to illness. This trip has forever changed my life and the friendships that we share are really something special. Music brings people together in a great way and we achieved a great feat on this tour.

Josh Markley: I feel that there were three parts of the trip that were the most spectacular. First of all, I loved the amazing sights that we were able to see. From the mountains to the salt mines, we were able to have a great time exploring some of Austria’s beauty. Plus, going down the slide in the mine was a blast. The next best thing that we were able to experience was getting to know the culture a little bit. I loved the night in Obervellach when we had the reception with the local choir. We ate great food, laughed and sang to each other. It was almost as fun as mingling with the local choir in Graz. It was great to be able to talk to the people and get to know them a little. I loved getting a taste, even thought it was small, of the Austrian culture. I must say, however, that the best part of the trip had to be the amazing music that we created for and shared with our full audiences. Every concert was for a full house, and a few were even standing room only. What an experience to see the joy on their faces, and know it was because of the outstanding ensemble we had achieved. I felt honored to perform with such a talented group as the Concert Chorale. The trip was memorable for many reasons, but mostly for the great sights, the great culture, and, of course, great music.

Connie Reinhardt: My favorite part of the Austria tour was our time in Salzburg. I loved going around the town and getting to see Mozart’s home and the artifacts there. I’m also a Sound of Music fan so getting to see the places where they filmed the movie was a dream come true. The coolest thing was the salt mines. It was an experience that was totally different and I’ve never seen anything like it before. The entire experience was incredible and something I am glad I got to be a part of.

Vicki Stanley: While there were many highlights on the trip, one experience that stands out to me is one that happened in Salzburg. Those of us who’d never been abroad before were in total awe of the church. And then we were told to get up front to sing. First, it was incredible to hear how the sound resonated in that cathedral. It was absolutely awe-inspiring and truly demonstrated the power of music. Second, as we sang, all the tourists in the cathedral stopped and sat to listen to us. And that was incredibly neat. A bunch of us got approached after our little impromptu concert and wanted to know when they could hear us again, so to the best of our ability, we told them where our concert was the next day.

Another incident that was so neat to me was when Fly was translated for every concert. Over here in the US, every time we said the soloists were brides to be, audiences never really reacted. But the audiences in Austria? They loved them and cheered and clapped for them every night.  Of course, we can’t forget the salt mines, and you going on the slide with Josh, nor can we forget re-enacting Sound of Music scenes in Mirabell gardens.

Then, we can’t forget that Bentley and Erin got engaged in Salzburg. But I doubt those are the highlights you’re looking for.

Ian Tapson:  Our trip to Austria this summer could not have been any better! Having toured through Italy with Chorale, this trip was in constant comparison–the sights, the scenery, the food, and the culture. The most memorable moment during the trip was our arrival in Obervellach. We had spent several days in Salzburg, seeing Mozart’s birthplace and some of his life as a composer and exploring what the city had to offer. After sight-seeing and a concert, it was off to Obervellach. We pulled into our ski-resort hotel several hours later and all of Chorale’s mouths dropped, as if we were singing a tall vowel in one of our pieces. Surrounding our hotel was a beautiful mountain range that was covered in green and topped with a white snowcap. Rolling hills complimented the mountain scenery before our eyes. We got our bags and checked into our rooms with some free time before dinner. Usually, we Chorale members socialize and rest in the hotel but everyone poured outside to explore and experience the beautiful landscape. Several of us even found a field, covered in yellow flowers that overlooked the small village and the majestic mountain range. It was a wonderful day as we enjoyed the serene scenery and the company of great friends.

Rachel Taylor: I would say that THE highlight for me would be arriving in Obervellach. As soon as we stepped off the bus I felt like I was in a different beautiful world. The wind was strong and invigorating and I just couldn’t wait to explore. Joe and I hiked up behind the hotel and found the most beautiful field of wildflowers. Looking out over the hills and seeing the mountains in the distance, the wind rushing around you, the smell of sweet fresh air, and the warm yellow sunlight just made that the most amazing moment of the trip for me. Nothing else even compares. I just want to go back!

“The Jazz Studies Program is proud to be part of the presentation of the First Annual Springfield Jazz Festival,” Randy Hamm, director of Jazz Studies and Professor of Music, says. “We have scheduled a wide variety of jazz artists to please the palate of every jazz enthusiast.”

The Les Brown Band of Renown will perform on Friday, May 7 at 7:30 PM at the Gillioz Theatre. They will be accompanied by Bob Anderson, Christin Boerisch, and the Missouri Jazz Orchestra. Tickets are $17 for students and seniors and $22 for the general public.

On Saturday, May 8, a free afternoon event will be held at Jefferson Avenue and Park Central Avenue East from 1:00 to 7:00 PM. This event will feature local and regional jazz artists and food and beverage vendors. On Saturday evening at 8:00 PM, Charlie Haden and Quartet West will perform at the Gillioz; tickets are $23 for students and seniors and $28 for the general public.

“It is our hope that this annual festival will grow into an event that will contribute to and enrich the arts in our community, as well as contribute to the success of the University’s public affairs mission of cultural competence and community engagement,” Hamm says.

For more information about the Jazz Festival, you may contact Randy Hamm, Director of Jazz Studies, at RandyHamm@MissouriState.edu or (417) 836-6739. To buy tickets for Festival events, call (417) 836-7678 or visit the Juanita K. Hammons Hall for the Performing Arts web site.

The Jane A. Meyer Carillon series will feature performances by renowned carillonists on the third Sunday of each month from April through September. The public is invited to bring chairs and blankets to the fountain area outside Meyer Library to listen to these performances, each of which begins at 6:00 PM. In the event of inclement weather, seating will also be available in the lobby of Meyer Library.Dr. Roger Stoner, Associate Dean of the College of Arts and Letters, describes the Carillon series as a “special group of concert performances” and notes that it features local, national, and international carillonists. “The events are casual and audience members are encouraged to bring their friends, lawn chairs and picnic and enjoy the good music and natural beauty of the campus,” Stoner says.

After each performance, attendees have the opportunity to meet the artist and to ascend the tower for a tour of the carillon cabin. Jeremy Chesman, University carillonist, will coordinate these tours.

The 2010 lineup is as follows:

April 18: Jonathan Casady, undergraduate in Organ Studies

May 16: Dennis Curry, Kirk on the Hills Carillon, Bloomfield Hills, Michigan

June 20: Sue Bergren, Millennium Carillon, Naperville, Illinois

July 18: Jeremy Chesman, University carillonist

August 15: Malgosia Fiebig, Amersfoort, Netherlands

September 19: George Gregory, Central Christian Church, San Antonio, Texas

The Jane A. Meyer Carillon was dedicated in 2002 and serves as an icon of Missouri State University. It is named after Jane Meyer, former organ student in the music department who shared a lifelong love of the arts with her husband, Ken Meyer; their generous donations made the Carillon a reality. It consists of 48 bells and is the larger of two carillons in Missouri. The Carillon plays the standard Westminster chime sequence every 15 minutes, with the first of the hourly bells marking the exact start of each hour. In addition to the Jane A. Meyer Carillon Series, the Department of Music also coordinates and presents special concerts during the academic year.

For more information about the Jane A. Meyer Carillon Series, you may contact Dr. Roger Stoner, Associate Dean of the College of Arts and Letters, at RogerStoner@missouristate.edu or (417) 836-5247. You may also visit the Carillon Series web site or download a PDF of the Carillon Series program (Adobe® Reader required); this contains detailed information on each performer and the pieces they will play.

performances by two local bands who contributed music to the film, the premiere screening at 8:00, and a brief question-and-answer session with Debra Granik, the director of the film.

Tickets are $10 for students (with ID) and $15 for the general public and will go on sale Monday, April 19. Tickets may be purchased online at www.missouristatetix.com, over the phone at (417) 836-6776, or in person at box office locations at Juanita K. Hammons Hall for the Performing Arts, Plaster Student Union, and JQH Arena. Parking will be available at Bear Park North, off of Cherry and Elm Streets between John Q. Hammons Parkway and Kimbrough Avenue, or at Lot 24 at the corner of Grand and National.

Several Missouri State University students and alumni had prominent roles in the film’s cast and crew. Lauren Sweetser, a senior in the theatre and dance department, plays Gail, the best friend of protagonist Ree Dolly. Theatre and Dance alum Nathan Shelton worked on special effects, fellow Theatre alum Shawn Nash coordinated stunts, and Electronic Arts alum Sid McGregorwas a production assistant.

The event is being sponsored by the Missouri State University Film Series with support from the Office of the Provost, the College of Arts and Letters, and the Department of Media, Journalism and Film. Box office proceeds will be donated to the Missouri Film Alliance of Springfield, and a local Methamphetamine Recovery Program.

Winter’s Bone is rated R for drug material, language, and violent content by the Motion Picture Association of America (MPAA).

“Back to Campus” is an 88-page insert that goes into the first issue of The Standard each
school year and is also mailed out to new students. The 2009 edition was produced last summer.
Advertising Manager Stephanie Jenkins directed ad sales. The sales team was Alex Kauffman and
Mark Morgan. Jeremy Wisecup was the ad designer. Editor in Chief Jess Rollins directed the
editorial content. The editorial staff included Quinci Adams, Sarah Bennett, Karen Bliss,
Dillan Conn, Kyle Davis, Kyle Drenon, Jeffrey Faust, Matt Kile, Kandice McKee, Geoff Pickle,
Leah Randazzo, Laura Richardson, Stuart Robinson, Nic Stogsdill, Cris Swaters, Kathryn Wall,
Carly Wilburn and Danny Wood. Jack Dimond is The Standard’s faculty adviser.

Hello Friend —

Please mark “Friday, March 5″ on your calendar as the College of Arts and Letters of Missouri State University is coming to Kansas City! TALENT ON TOUR 2010 is a showcase of Missouri State’s most talented students.

It’s going to be a great evening and I hope to see you there!  Join us and our special host Susan Hiland, co-anchor of WDAF Fox 4 News, for these free events:

6:00 PM Alumni Reception
7:00 PM Showcase Performance
8:00 PM Afterglow Reception with Performers

The Westin Crown Center
Washington Park Place Rooms
One East Pershing Road
Kansas City, Missouri

(Reserve a discounted room with code “Missouri State“)

Join amazing students from many of our academic departments:

• Art & Design
• Communication
• English
• Media, Journalism and Film

• Modern & Classical Languages
• Music
• Theatre & Dance

See you in Kansas City!

Sincerely,

Carey Adams, dean
College of Arts & Letters
Missouri State University

Please RSVP by Tuesday, March 2, to (417) 836-5247 or e-mail collegeofartsandletters@missouristate.edu.

Mission The College of Arts and Letters promotes learning, scholarship, and service to the broader community in all aspects of human communication — spoken, written, visual, musical, dramatic, and electronically mediated. With support for general education and with discipline-specific degrees, both undergraduate and graduate, we aim to foster intellectual independence, expressive competence, and aesthetic appreciation within the traditional arenas of arts and letters. We also aim to instill the desire and capability for lifelong learning, in keeping with the advancements of our disciplines and their technologies. In the departments and programs of the College, we enhance students’ creative and performance skills, sharpen students’ communication effectiveness in a variety of languages and media, and prepare students to be effective professionals and community members. We hope to model an attitude of respect for diverse cultures, traditions, values, ideas, and ways of knowing.

© 2010 College of Arts & Letters at
Missouri State University
February 5, 2010 • blogs.missouristate.edu/coalexpressions
901 S. National Ave. Springfield, MO  65897 • 417.836.5247