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Art History Virtual Exhibition

Head of a Wooden Akua’ba Figure (with Restored Body) Asante culture 20th century Wood, L. 12.3 cm x W. 1.6 cm x H. 13.8 cm (unrestored) BFPC collection #2014.47

Akua’ba Figure: Researched, Conserved, and Restored by Leslie Dunaway

August, 2020 by Sarah Teel

The Akua’ba (plural Akua’ma) is a famous type of sculpture made by the Asante cultures of the country of Ghana, in Western Coastal Africa.  These figures are made in a very recognizable form, typically with a flattened round or oval head with a high forehead; heavy, curved eyebrows; almond-shaped, downcast eyes; a straight, pyramid-shaped nose; and a tiny mouth.  They also have stick-like bodies, ringed necks, short arms, prominent cone-shaped breasts, and sometimes a protruding navel. All of these features together represent the traditional standards of beauty for young adult Asante women; hands, legs, and feet are not portrayed because they assume no important roles in these standards.  The akua’ba in this exhibit is unusual in being left the original light brown color of the wood, as akua’ma are also often stained a dark color because shiny, dark skin is also considered to be beautiful.

The main purpose of an akua’ba is to help women who are having difficulty becoming pregnant.  The figure is virtually always female because the Asante are matrilineal, and the akua’ba is portrayed as a young adult because the aspiring mother hopes for a child that will survive to adulthood and carry on the family line. The woman will commission a woodcarver to make a figure with the typical features; after the figure is carved to her specifications, the woman then takes the figure to a local indigenous priest to have the figure blessed, and then she carries the akua’ba figure with her and cares for it as she would a real child, in the hopes that she will receive divine help in conceiving.

Once the woman successfully gives birth to a child, she may deposit the akua’ba figure in a shrine to thank the god who assisted in her pregnancy, or she may give the akua’ba to her daughter so that she can learn child care and will have the figure to use in the future, if necessary.  If a woman’s child dies, sometimes she will keep the figure as a tribute to the child; some women even choose to have the akua’ba figure buried alongside her when she passes away.

 

Head of a Wooden Akua’ba Figure (with Restored Body)
Asante culture
20th century
Wood, L. 12.3 cm x W. 1.6 cm x H. 13.8 cm (unrestored)
BFPC collection #2014.47

 

 

For more information, you may contact the researcher(s) noted in the title of this exhibit entry, or Dr. Billie Follensbee, the professor of the course, at BillieFollensbee@MissouriState.edu

Filed Under: 2017 Fall, ART/MST 488: Basic Conservation of Art and Artifacts Tagged With: africa, african art, akua'ba, akua'ba figure, asante culture, wood figure

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Categories

  • 2014 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2014 Spring, ART 485: Art of Mesoamerica
  • 2015 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2016 Fall, ART 385: Art of the Americas
  • 2016 Spring, ART 386: Art of Africa
  • 2017 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2017 Spring, ART 485: Art of Mesoamerica
  • 2018 Fall, ART 385: Art of the Americas
  • 2018 Spring, ART 386: Art of Africa
  • 2019 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2019 Spring, ART 485: Art of Mesoamerica
  • 2020 Spring, ART 386: Art of Africa

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