Distinguished Professor Dr. James Parsons of the Department of Music has been invited to present at a conference commemorating the 200th anniversary of the first performance of Ludwig van Beethoven’s Ninth Symphony.
The symphony was first heard in Vienna, Austria, May 7, 1824.
Parsons and six other Beethoven scholars will present their research at the Center for Beethoven Research at Boston University March 27, 2024.
Paper calls for new examination of “Ninth’s” choral finale
Because Beethoven’s “Ninth” was the first to join voices and instruments, it has garnered the attention of music scholars like Parsons.
In his conference paper, “What the Choral Fantasy can tell us about the Choral Finale,” Parsons examines the relationship between Beethoven’s Choral Fantasy, Opus 80 (1808) and the choral finale of the Ninth Symphony, Opus 125 (1824).
“The principal themes of both Fantasy and finale are remarkably similar,” Parsons said. “What no one previously has discussed is how the texts of both Fantasy and finale are also similar.”
When researching the 1808 sketches for the “Choral Fantasy,” Parsons discovered that Beethoven wrote part of the text, with the Viennese writer and poet Christoph Kuffner completing the piece using Beethoven’s “hints.”
Scholars have dismissed the 1808 pieces as “cloying” and “clumsy” and not worth serious consideration, Parsons said, but ignoring the 1808 piece has presented problems in understanding the history of the “Ninth.”
“Taking the ‘Choral Fantasy’s’ text seriously and then the relationship between words and music, a very different story can be told, one that tells us something new about the Fantasy itself and the finale of the ‘Ninth,’” Parsons explained.

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