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Art History Virtual Exhibition

Beaded Belt: Researched and Conserved by Alexis Henson

October, 2025 by Emalie Neise

Beaded Belt with Scarified Face of Eshu
Yoruba culture
20th century
Cotton cloth, cotton thread, and glass beads
L. 1.32 m x W. 5.2 cm x H. 5 mm
BFPC collection #2013.7

Elaborate beadwork first appeared as a Yoruba artform in the late 19th century, when European glass seed beads were imported into Nigeria. Soon afterwards, labor-intensive bead-covered items such as bags, footwear, knife sheaths, sashes, and belts became symbols of wealth, power, and well-being for the Yoruba ruling class. As high-ranking Yoruba bestowed beadwork items on the diviners and other religious specialists who served them, beadwork also became symbolic of protection, of status, and of connections to the supernatural, spiritual realm.

As with this belt, diviners often wear beaded items that wrap around the head, waist or neck, symbolically and literally enclosing the wearer to protect them from negative forces. This belt is identifiable as the belt of a diviner because of its yellow diamonds and the central, red face with scarification marks of vertical black lines underneath the eyes. Yellow beads symbolize wisdom in Yoruba society, and diamonds symbolize the Yoruba cosmogram. The red, scarified face, meanwhile, is the face of Eshu, the traditional Yoruba deity who serves as a messenger and intermediary between the mortal world of humans and the spiritual world. Researched and conserved by Alexis Henson

 

For more information, you may contact the researcher(s) noted in the title of this exhibit entry, or Dr. Billie Follensbee, the professor of the course, at BillieFollensbee@MissouriState.edu

Filed Under: 2024 Fall, ART/MST488: Basic Conservation of Art and Artifacts Tagged With: 20th century, 20th century art, africa, african art, beadwork, conservation, yoruba, yoruba culture

Categories

  • 2014 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2015 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2016 Fall, ART 385: Art of the Americas
  • 2016 Spring, ART 386: Art of Africa
  • 2017 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2018 Fall, ART 385: Art of the Americas
  • 2018 Spring, ART 386: Art of Africa
  • 2019 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2020 Fall, ART 487: Art of the Americas
  • 2020 Spring, ART 386: Art of Africa
  • 2021 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2022 Fall, ART/MST 488: Basic Conservation of Art and Artifacts
  • 2024 Fall, ART/MST488: Basic Conservation of Art and Artifacts
  • 2025 Spring, ART486: Art of Africa
  • Art History Virtual Exhibit

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